![]() This is a highly-dynamic and stylistic effect that wouldn't make much sense outside of a music video but you get the point. Blocking represents the process of laying out the camera placement and movement of a scene in comparison with the actors’ placement and movement. Notice how the catchlights seem to be exploding out from her eyes. Here's an example of Britney Spears from one of her music videos. ![]() As we saw in the video above, a ring light has become a common light source in catchlight photography. To fully control catchlight, using an independent light or reflectors will help the intensity, color, and direction of the light. photography, where the harsh highlights and shadows can help define the. > Blocking - when one object blocks another out. Dramatic lighting can really elevate your portrait photography - the best part. This difference is what creates the textures, highlights, shadows, colors and clarity in a photograph. Contrast in photography is the visual ratio of different tones in an image. One exposure on continuous-tone film is made of the product light ed normal ly. This article will cover the basics of different types of contrast in photography from high contrast to low contrast to tonal and color contrast. Two separate pictures are made of the product setup. Remember, the size and shape of your light(s) has a direct effect on the size and shape in catchlight photography. BLOCKING OUT A BACKGROUND It is a simple matte r to eliminate or block out an unwanted background in product photography. Let's look at some options so you can make a more informed decision Using a light source Do you want a natural look? It is a romantic or suspenseful scene? Remember there are different methods to achieve different results. Step 2 - Design the look of your catchlightsĭeciding the look of your catchlights comes down to the intended affect. This works really well for some of the most natural looking eye lights. Outdoors - If you’re shooting outdoors and want beautiful catchlights, find a shady area - like under an awning or a tree and have the character face toward the light. This creates gorgeous catchlights and casts natural looking shadows on the rest of their face. It’s best if they’re facing the window at about a 45-degree angle. Indoors - Ask your subject to face the window, but not necessarily head on. Handrail in the foreground Shot on 28mm on RICOH GR II - note how I framed the photo to make the man on the top really small. ![]() This is often more obvious in black and white photography than with color, but when you lack highlights you also lack dynamics. As my students learned, what you shoot as white doesn’t always come out as white. Of course, make sure they’re not staring directly into it either. Blocking Technique in Photography To make better compositions, block out distracting elements from your photos: 1. Highlights are usually defined as the brightest area in a photo. Whether your subject is indoors or outdoors make sure they’re facing the light. Step 1 - Aim the light source into the subject's eyes
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